An EPIX Original documentary directed by William Shatner, based on his hugely popular book, in which he examines the cultural phenomena of STAR TREK, its fan-following and his own role within it.

Surreal, twisted and hilariously funny, Get a Life is the ultimate anti-sitcom. Chris Peterson is a 30-year-old paperboy who still lives with his parents and who seems to have an ever decreasing grip on reality.

Surreal, twisted and hilariously funny, Get a Life is the ultimate anti-sitcom. Chris Peterson is a 30-year-old paperboy who still lives with his parents and who seems to have an ever decreasing grip on reality.

陈奕迅(Eason)2006年2月中旬在香港红馆举行一连九场的《Get A Life演唱会》历史性集合他于华星、英皇及新艺宝三个不同时代的38首精选金曲，包括：出道成名作“伤信”、“黑夜不再来”、英皇时期的金曲“Shall We Talk”、“明年今日”、“K歌之王”、2005年复出唱片《U87》之“浮夸”、“夕阳无限好”、“葡萄成熟时”、新碟《Life Continues》内主打歌的“最佳损友”等。虽然Eason离开乐坛一年，今次再战乐坛成绩斐然，《Get A Life演唱会》九场全部爆满，Eason更创新地以丧礼概念为演唱会揭开序幕，舞台以不规则黑色图案组成；Eason以全黑服饰出场，意念大胆创新。Eason以一曲“浮夸”出场，由德国交响乐团打头阵。接近三个小时的演唱会充斥着诡异气氛，有妖怪、蜘蛛助阵在台上跳舞，又出现撞车、打雷下雨、火烧木屋等场面。演唱会除了大玩诡异外，Eason也尽现亲情，他在台上对着女儿小康堤唱“大个女”及“单车”，尽显温情，最后在一片热烈的欢呼声下结束《Get A Life演唱会》。

陈奕迅(Eason)2006年2月中旬在香港红馆举行一连九场的《Get A Life演唱会》历史性集合他于华星、英皇及新艺宝三个不同时代的38首精选金曲，包括：出道成名作“伤信”、“黑夜不再来”、英皇时期的金曲“Shall We Talk”、“明年今日”、“K歌之王”、2005年复出唱片《U87》之“浮夸”、“夕阳无限好”、“葡萄成熟时”、新碟《Life Continues》内主打歌的“最佳损友”等。虽然Eason离开乐坛一年，今次再战乐坛成绩斐然，《Get A Life演唱会》九场全部爆满，Eason更创新地以丧礼概念为演唱会揭开序幕，舞台以不规则黑色图案组成；Eason以全黑服饰出场，意念大胆创新。Eason以一曲“浮夸”出场，由德国交响乐团打头阵。接近三个小时的演唱会充斥着诡异气氛，有妖怪、蜘蛛助阵在台上跳舞，又出现撞车、打雷下雨、火烧木屋等场面。演唱会除了大玩诡异外，Eason也尽现亲情，他在台上对着女儿小康堤唱“大个女”及“单车”，尽显温情，最后在一片热烈的欢呼声下结束《Get A Life演唱会》。

A transgender teenager faces an unwanted pregnancy and risks losing everything he loves in order to live courageously.

Jay is a young slacker who has to get a job in order to receive his inheritance. Rather than physically work, he fabricates an imaginary job in order to convince the attorney in charge of his trust fund.

Unemployed and living with the "mother-in-law from hell", a young comedian and his childhood friend are sucked into the ride of their lives when they decide there is no time like the present to pursue their dreams of opening a comedy club.

The 1998 dramatization of a 1970s UK miscarriage of justice, centered around Stefan Khizcho, and his mother's subsequent battle for his freedom.

A recently unemployed man tries to convince his friends to loan him some much needed cash.